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Re: galons à cartes- textes, représentations, archéologie

MessagePublié: 29 Nov 2014, 00:57
par yrwanel
Image
Image

Stole

Place of origin:

Germany (made)
Date:

1250-1330 (made)
Artist/Maker:

Unknown (production)
Materials and Techniques:

Tablet-woven in silk and gold, with bead embroidery and painted motif on silk lined with parchment or leather
Museum number:

8588-1863

The maniple has been part of liturgical dress for Roman Catholic deacons, priests and higher clergy since the 9th century. It is worn hung over the left forearm and was probably carried as a formal sign of office. It echoes the shape and decoration of the longer stole which is usually worn around the neck.

A long narrow band, broadening at the ends to a trapezoid shape and finished with fringes, it usually has a device at each end. In this case, the beaded embroidery comprises a striking geometric pattern. Specifically religious references are evident in the small painted image of the Virgin and Child on the left end, and the wording woven into the strip that went round the neck.

http://collections.vam.ac.uk/item/O1667 ... e-unknown/


Là, je craque...c'est "méd" : VIIIème, mais pas "chez nous"... :wink:
Stein fût archéologue sur la route de la soie, et, il n'y a pas à dire, mais les conditions de conservation du désert du Taklamakan, c'est plutôt bien!
Image
Place of origin:
Miran Fort, China (excavated)
Date:
8th century (made)
Artist/Maker:
Unknown (production)
Materials and Techniques:
Tablet weavin, and stitching
Credit Line:
Stein Textile Loan Collection. On loan from the Government of India and the Archaeological Survey of India. Copyright: Government of India.

These three fragments are from a tablet woven border. The upper part shows running horses in pale blue on dark blue ground and below a reddish part with geometrical figures. It is unclear what these fragments would have been used for, although they are likely to have had a decorative purpose. They were reovered from the site of Miran Fort on the eastern verge of the Taklamakan desert. At this site material was discovered in the remains of a fort held by the Tibetans during their domination of the southern Taklamakan in the 8th century AD.

The site is also part of an area of Central Asia we now call the Silk Road, a series of overland trade routes that crossed Asia from China to Europe. The most notable item traded was silk. Camels and horses were used as pack animals and merchants passed the goods from oasis to oasis. The Silk Road was also important for the exchange of ideas. Whilst silk textiles travelled west from China, Buddhism entered China from India in this way.

This textile was brought back from Central Asia by the explorer and archaeologist Sir Marc Aurel Stein (1862-1943). The V&A has around 650 ancient and medieval textiles recovered from the Silk Road by Stein at the beginning of the20th century. Some are silk while others are made from the wool of a variety of different animals


Image
Place of origin:
Miran Fort, China (excavated)
Date:
8th century (made)
Artist/Maker:
Unknown (production)
Materials and Techniques:
Tablet woven wool
These fragments are of tablet woven blue and red wool showing a geometric design.

Image
This piece consists of two textiles stitched together with brown wool thread. Both are tablet woven bands, one showing a row of animals in cream on blue. The other showing a geometric design. It is unclear what this piece would have been used for, although it is likely to have had a decorative purpose. It was recovered from the site of Miran Fort on the eastern verge of the Taklamakan desert. Many textile fragments were discovered here in the remains of a fort held by the Tibetans during their domination of the southern Taklamakan in the 8th century AD.


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[img]These%20two%20textile%20fragments%20are%20of%20polychrome%20tablet%20weave,%20made%20of%20blue,%20yellow,%20red%20and%20dark%20brown%20wool%20and%20showing%20a%20version%20of%20the%20key%20pattern.%20It%20is%20unclear%20what%20these%20textiles%20would%20have%20been%20used%20for,%20althoughthey%20are%20likely%20to%20have%20had%20a%20decorative%20purpose%20as%20well%20as%20a%20utilitarian%20function.[/img]

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This textile fragment is of tablet woven wool in red, purple, light blue, dark blue, yellow and brown. It was recovered from the site of Miran Fort on the eastern verge of the Taklamakan desert. Many textile fragments were discovered here in the remains of a fort held by the Tibetans during their domination of the southern Taklamakan in the 8th century AD.

NB: ce désert a été un croisement intensif de cultures donc d'idées. C'est là, aussi, que des fouilles ont révélé la présence de caucasiens en déjà - 2700. Vu le sol et le climat, ces corps sont devenus des momies naturelles, et les textiles ont été remarquablement préservés, les couleurs aussi. :mrgreen: Cela peut faire l'objet d'un autre post des "textiles d'ailleurs et autrefois".
(cela fait un "moment" que je m'intéresse aux "ailleurs" et "autres moments", c'est honteux, je sais...) :wink:
Niveau galons à cartes trouvés par Stein, on constate que il y a du sophistiqué, du figuratif, du "géométrique" et du "bête galon" basique... :wink:

repartons dans "notre" MA:
Image
The Hildesheim Cope
Cope
Place of origin:
Germany (made)
Date: 1310-1320 (made)
Artist/Maker:

Unknown (production)
Materials and Techniques:

Embroidered in silks on linen, with couched metal thread, pattern woven and tablet woven silk and metal thread, applique
This cope has a fascinating, albeit gruesome, depiction of saints undergoing various forms of martyrdom. All sorts of infamous medieval torture methods are represented such as flaying (of St Bartholomew), roasting (of St Lawrence), several crucifixions (among others St Peter), variations of stabbings, clubbings and beheadings (most famously St Thomas Becket).

Each saint is within a roundel. These roundels intersect with each other so as to form six-pointed star shapes, separated by spaces between the points of oval shape. In these small spaces there are blue dragons with red wings and at each point of the star shape are appliqued golden rosettes. Embroidery in polychrome silks and couched gold thread, entirely covers the linen background. Compared with known examples of contemporary Opus Anglicanum, this German work is rather naive and not as finely executed.

On aurait aussi pu mettre cette cape dans "torture" vu toutes les façons de trucider, ici en la matière, des saints. :mrgreen: Cette cape comporte, outre la broderie (où elle pourrait aussi figurer) des bandes de tissages à cartes.

VAM: http://collections.vam.ac.uk/technique/ ... aving/538/

Re: galons à cartes- textes, représentations, archéologie

MessagePublié: 12 Déc 2014, 22:57
par yrwanel
voir le pdf en entrée de post...

Image
Origin: Egypt, old Cairo, Type: 2 fragments joined, Period: 10-12 Centuries Fatamid/Talunid
Warp: Material: wool, dark Blue & light Blue, dyed Spin/Ply: 5 spun Density: 32/in
Weft: Material: wool, dyed Spin/Ply: 5 spun, Density: 62in facing wefts (x2)
Decoration/Surface: Technique: Weft faced plain weave in 3 colors, banded with continuous wefts.
Finishes: original joining seam.
Remarks: Original

http://www.textileasart.com/3050.htm

(le site mérite d'être explorer même si tout n'est pas méd', rien que pour le plaisir des yeux)

Re: galons à cartes- textes, représentations, archéologie

MessagePublié: 02 Fév 2015, 22:52
par yrwanel
http://digitalcommons.unl.edu/cgi/viewc ... xt=tsaconf

"Scutulis Dividere Gallia": Weaving on Tablets in
Western Europe
Carolyn Priest-Dorman

Re: galons à cartes- textes, représentations, archéologie

MessagePublié: 08 Fév 2015, 21:08
par yrwanel
" Origine des mises en cartes de tissage à tablettes les plus populaires"

http://weavedmagic.deviantart.com/journ ... -394709084

Vous relèverez que l'auteur a fait une synthèse, ce qui n'est déjà pas mal et, accessoirement, se montre prudent. Il cite les traces les plus anciennes relevées, ce qui sous entend que, en archéologie, on n'est jamais à l'abri d'une trouvaille qui chamboule tout.

Egypte pré-copte: très curieusement, on a assez peu de restes archéologiques textiles. On sait que pas mal de textiles ont été recyclés en bandelettes pour momie.
Un TRES solide paquet de tombes, riches ou pauvres ont été largement pillées depuis "un moment" pour terminer en "poudre de momie" (entre autre thérapeutique!) ou cabinet de curiosité. Les premiers archéologues qui ont débarqué, quels que soient leurs mérites, cherchaient plus du "trésor" qu'autre chose. Rappel: le massacre de la momie de Toutankhamon. :wink:

Dans tous les cas, en très très grosse moyenne, la "loque de fouille", on y accorde assez peu d'importance et on ne s'y penche que depuis peu. La "loque de lambda de base", c'est encore pire. :roll:

Re: galons à cartes- textes, représentations, archéologie

MessagePublié: 15 Mai 2015, 20:28
par yrwanel
Ett långrandigt brickvävt band från Enköping SHM34817/ A striped tablet woven band from Enköping SHM34817

Bon, avec cela vous êtes mal...
Analyse d'un tissage à carte, "rayé" (longitudinalement) de Enköping, Scandinavie (mais en contact étroit avec la Poméranie..)

Texte en anglais + analyse en bas du truc. + photos du débris textile.

Ceci fout un peu parterre la légende urbaine strictement implantée en reconz' que "y a que des galons de riches" (brochés, soie et flonflons) et "y a pas de galons simples de simples" (y a que des compliqués.. case riche, bien sûr..) :content-29:
Aussi: cépas hexagonal, donc y avait pas dans l'Hexagone.

Juste que, des fois, (et comme d'hab') il y a des pays où on se penche sur les débris textiles "moches" et de lambda, accessoirement: on publie... :wink:

http://historicaltextiles.org/2015/05/1 ... -shm34817/